{"id":1617,"date":"2021-11-08T19:51:19","date_gmt":"2021-11-08T19:51:19","guid":{"rendered":"https:\/\/blogs.luc.edu\/italianamericana\/?p=1617"},"modified":"2021-11-08T19:51:19","modified_gmt":"2021-11-08T19:51:19","slug":"vol-xxxvii-no-1-winter-2019","status":"publish","type":"post","link":"https:\/\/blogs.luc.edu\/italianamericana\/?p=1617","title":{"rendered":"Vol. XXXVII No. 1 Winter 2019"},"content":{"rendered":"<p><strong>Table of Contents<\/strong><\/p>\n<p>Letter from the Editor&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; v<\/p>\n<p>Notes on Contributors&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. ix<\/p>\n<p><strong>ArtIcles<\/strong><\/p>\n<p>Chicago to Islam: Assimilation Figures in Five Stories by Tony Ardizzone<\/p>\n<p>Fred Misurella&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 1<\/p>\n<p>\u201cLet\u2019s have a glass of vino\u201d: Italian immigrants, wine and community in John Fante\u2019s The Brotherhood of the Grape<\/p>\n<p>Sostene Massimo Zangari&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 7<\/p>\n<p>Praying Toward Acceptance: Aspects of African, Anglo, and Italian American Cooperation<\/p>\n<p>Dennis Barone&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 19<\/p>\n<p><strong>Poetry<\/strong><\/p>\n<p><strong>Featured Poet Judith Vollmer<\/strong><\/p>\n<p>Essay, \u201cNotes on Pavese and Seeing\u201d&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 39<\/p>\n<p>The Strange Building&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 41<\/p>\n<p>The Immolation&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 42<\/p>\n<p>Open, Grove&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 43<\/p>\n<p>In Umbria I Become a Guitar by Clare Rossini&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 44<\/p>\n<p>Piece Work by Marisa Frasca&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 46<\/p>\n<p>Of Ashes, Dirt by Ja\u2019net Danielo&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 47<\/p>\n<p>Dark Cathedral by Gaby Bedett&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 48<\/p>\n<p>The Day in Crescents by Gianna Russo&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 49<\/p>\n<p>Have You Ever Been a Victim of Violence? Eleven Reasons Why I Don\u2019t Check Yes by Nicole Caruso Garcia&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 50<\/p>\n<p>Ode to Parenting, Forgetfulness, Balms, Ziplocs, Grains, Acquiescence, Stoves, Apps, the Moon &amp; Mars, Departure by Martha Silano&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 52<\/p>\n<p>Exit Right by George Guida&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 53<\/p>\n<p>Learning How to Shop for a Woman by John Ortenzio Bargowski&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 55<\/p>\n<p>The Patriot by Gail Thomas&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 56<\/p>\n<p>In My Brother\u2019s Recovery Room by Lois Roma-Deeley&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 57<\/p>\n<p>The Things I Carry<\/p>\n<p>Sharon Charde&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 58<\/p>\n<p><strong>FIctIon and CreatIve Non-FIctIon<\/strong><\/p>\n<p>Airport Outskirts<\/p>\n<p>McKenzie Teter&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 61<\/p>\n<p>Maria<\/p>\n<p>Kayla Ciardi&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 65<\/p>\n<p><strong>RevIews<\/strong><\/p>\n<p>Review Essay: The Artist as Transatlantic Hero Toscanini: Musician of Conscience by Harvey Sachs<\/p>\n<p>Review by Andrea Mariani&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 71<\/p>\n<p>Incontri italoamericani: Identit\u00e0, letteratura, riflessi dell\u2019emigrazione edited by Michele Bottalico<\/p>\n<p>Review Essay by Valerio Massimo De Angelis&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 75<\/p>\n<p>Pizzini d\u2019Amuri\/Love Notes by Senzio Mazza<\/p>\n<p>Review by Joseph Russo&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 76<\/p>\n<p>No! In Whispers. The Rhetoric of Dissent in American Writing edited by Michele Bottalico<\/p>\n<p>Review by Pamela Mansutti&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 78<\/p>\n<p>Dangerous Perfection: Ancient Funerary Vases from Southern Italy edited by Ursula K\u00e4stner and David Saunders<\/p>\n<p>Review by Han Tran&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 79<\/p>\n<p>Migrant Marketplaces: Food and Italians in North and South America by Elizabeth Zanoni<\/p>\n<p>Review by Michael J. LaRosa&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 83<\/p>\n<p>The House of Early Sorrows: A Memoir in Essays by Louise De Salvo<\/p>\n<p>Review by Eleonora Rao&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 84<\/p>\n<p>Read \u2018Em and Reap: Gambling on Italian American Writing by Fred Gardaph\u00e9<\/p>\n<p>Review by Manlio Della Marca&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 85<\/p>\n<p>The Arrows That Choose Us by Marilyn Annucci<\/p>\n<p>Review by Caterina Ricciardi&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 87<\/p>\n<p>Not for Self: A Sicilian Life and Death in Marion by Joseph L. Cacibauda<\/p>\n<p>Review by John Paul Russo&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 89<\/p>\n<p>Odyssey and Other Poems by Joseph Gabriel<\/p>\n<p>Review by Paolo Dainotti&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 90<\/p>\n<p>Sicily Jass: The World\u2019s First Man in Jazz directed by Michele Cinque<\/p>\n<p>Review by Vincenzo Caporaletti&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 92<\/p>\n<p>Bitter Trades: A Memoir by Giovanna Miceli Jeffries<\/p>\n<p>Review by Rita Ciresi&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 93<\/p>\n<p>BrIefly noted (\u2013JPR ed.)<\/p>\n<p>Wind in the Cave: Poems by James B. Nicola&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 95<\/p>\n<p>Diagnostics: Poetics of Time by Joseph A. Amato&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 96<\/p>\n<h2>Letter from the Editor<\/h2>\n<h3>Carla A. Simonini<\/h3>\n<p>Dear Readers,<\/p>\n<p>It is with great pleasure that we bring you the Winter 2019 issue of <em>Italian Americana<\/em>, the first to be published at the journal\u2019s new home at Loyola University Chicago, where it is serving as one of the cornerstones of the university\u2019s newly established Italian American Studies Program. I was honored to have been chosen as the program\u2019s Founding Director and now hold the position of the Paul and Ann Rubino Endowed Professorship in Italian American Studies. In August I moved from Youngstown, Ohio, to begin my new job. Alongside of great opportunities, the move has presented a number of challenges, not the least of which was transferring all of the systems related to the administration and production of <em>Italian Americana <\/em>to Loyola. Honestly, it felt like we had just gotten everything in place in Youngstown and here we are starting all over again! Ultimately, though, with the continued dedication of the journal\u2019s editorial staff, the support of the administration of the College of Arts and Sciences at Loyola, and the journal\u2019s new affiliation with a distinct program of Italian American Studies, this new home promises to provide <em>Italian Americana <\/em>with the opportunity to extend its readership and enhance its mission to explore the Italian experience in the New World from a variety of perspectives.<\/p>\n<p>The current issue offers a rich mixture of scholarly and creative works, poetry, and our book review section, brought together by our adept editorial team, including Maria Terrone (poetry), John Paul Russo (book reviews) and Christine Palamidessi Moore (fiction and creative nonfiction). Tom Slagle has continued in his role as our Editorial Assistant, undertaking a wide range of responsibilities including copy editing, layout, correspondence and, most impressively, cover design. The quality publication you hold in your hands represents the culmination of his efforts.<\/p>\n<p>While the content of this issue would appear to traverse diverse topics, a number of common themes stand out, in particular our contributors\u2019 treatment of pressing issues in our contemporary society through an Italian-American lens. Our opening article, Fred Misurella\u2019s \u201cChicago to Islam: Assimilation Figures in Five Stories by Tony Ardizzone,\u201d and the essay \u201cPraying Towards Acceptance: Aspects of African, Anglo, and Italian American Cooperation\u201d by Dennis Barone explore the intersections of race, ethnicity and constructs of \u201cwhiteness,\u201d evoking the discourse of the Black Lives Matter Movement, as well as issues related to immigration\/migration and displacement. Our creative works, McKenzie Teter\u2019s short story \u201cAirport Outskirts\u201d and Kayla Ciardi\u2019s memoir \u201cMaria,\u201d treat these same themes, as do a number of the books reviewed. Ciardi\u2019s work, in particular, poignantly probes the question of \u201cvetting\u201d immigrants to determine their \u201cfitness\u201d to enter the US, and the issue of family separation in the process. By examining the past in very personal terms, Ciardi challenges us to look at the present with a critical and compassionate eye.<\/p>\n<p>Our poetry section features Judith Vollmer, who in her opening essay \u201clocates\u201d her <em>italianit\u00e0 <\/em>through her artistic spirit more so than her \u201cbloodline.\u201d While the figure of her Barese great-grandmother, Apollonia, may have provided the inspiration for her most recent book (<em>The Apollonia Poems<\/em>, University of Wisconsin Press, 2017), it is in Santo Stefano in Piedmont, the home town of Italian poet and novelist Cesare Pavese, that Vollmer experiences a \u201csibling-like presence.\u201d Pavese, in addition to being considered one of the most important Italian literary figures of the twentieth century, was also a scholar of American literature, his encounter with which he characterized as being among the greatest experiences of his life. The American poet Vollmer describes her encounter with Pavese\u2019s Italy as equally transformative; the places Pavese inhabited are transposed upon her own childhood homes in Pittsburgh and Northern Appalachia. In this manner, Santo Stefano becomes for Vollmer a \u201cbeloved familiar,\u201d underscoring how the transnational experience offers more than one possible route for establishing a connection with one\u2019s <em>italianit\u00e0<\/em>.<\/p>\n<p>Other poems in this issue treat timeless themes of the bonds that bind us together, be they familial or romantic: between lover and beloved, parent and child, grandchild and grandparent, young and old, living and deceased. The father-son relationship is further examined in our second scholarly article, \u201c\u2019Let\u2019s Have a Glass of vino\u2019: Italian immigrants, wine and community in John Fante\u2019s <em>The Brotherhood of the Grape<\/em>\u201d by Sostene Massimo Zangari. Zangari focuses on wine as a signifier of Italian-American culture and how the act of \u201csharing a glass of vino\u201d in Fante\u2019s text serves to symbolically consecrate what is an otherwise troubled and complicated relationship.<\/p>\n<p>In conclusion, I would like to thank the people at Loyola University Chicago who have provided me with the support and resources necessary to publish <em>Italian Americana<\/em>, specifically: Thomas J. Regan, SJ, Dean; Arthur J. Lurigio, PhD, Senior Associate Dean; Catherine Carlson, Business Manager, all of the College of Arts and Sciences; and Susana Cavallo, PhD, Chair of the Department of Modern Languages and Literatures. I would like to thank these same people for their role in sustaining the campaign to establish the Italian American Studies Program at Loyola University Chicago and for having faith in me to lead it. In this regard, I would like to also thank Dominic Candeloro, PhD, who for over five years tirelessly promoted Italian American Studies in order to raise the necessary $500,000, which was matched by Loyola University Chicago, to endow the Paul and Ann Rubino Professorship in Italian American Studies position I currently hold. One final special \u201cgrazie di cuore\u201d goes to Fred L. Gardaph\u00e9, PhD, Distinguished Professor of English and Italian American Studies at Queens College\/ CUNY. Dr. Gardaph\u00e9 has been my mentor since graduate school, when he agreed to serve on my dissertation committee. A ground-breaking scholar in Italian American Studies, Dr. Gardaph\u00e9 in fact hails from Chicago and began his academic career here. It seems therefore serendipitous that this first issue of <em>Italian Americana <\/em>to be published at Loyola University Chicago should include a review of his most recently published work, <em>Read \u2018Em and Reap: Gambling on Italian American Writing <\/em>(Bordighera Press, 2017), which is a collection of reviews originally published between 2006 and 2016 in <em>Fra Noi<\/em>, Chicago\u2019s premier publication focusing on the Italian- American community.<\/p>\n<p>All in all we are very pleased to bring you this issue. We hope you enjoy reading it, and we look forward to bring you more from Loyola University Chicago.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Table of Contents Letter from the Editor&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; v Notes on Contributors&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. ix ArtIcles Chicago to Islam: Assimilation Figures in Five Stories by Tony Ardizzone Fred Misurella&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 1 \u201cLet\u2019s have a glass of vino\u201d: Italian immigrants, wine and community in John Fante\u2019s The Brotherhood of the Grape Sostene Massimo Zangari&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 7 Praying Toward Acceptance: Aspects of &hellip; <\/p>\n<p class=\"read-more\"><a class=\"readmore-btn\" href=\"https:\/\/blogs.luc.edu\/italianamericana\/?p=1617\">+<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1617","post","type-post","status-publish","format-standard","hentry","category-archived-journals"],"_links":{"self":[{"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=\/wp\/v2\/posts\/1617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1617"}],"version-history":[{"count":0,"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=\/wp\/v2\/posts\/1617\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.luc.edu\/italianamericana\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}