{"id":1847,"date":"2022-02-01T01:59:47","date_gmt":"2022-02-01T01:59:47","guid":{"rendered":"https:\/\/blogs.luc.edu\/ipbytes\/?p=1847"},"modified":"2024-07-13T07:15:22","modified_gmt":"2024-07-13T07:15:22","slug":"1847","status":"publish","type":"post","link":"https:\/\/blogs.luc.edu\/ipbytes\/1847\/","title":{"rendered":"Nintendo\u2019s IP: That\u2019s No Pok\u00e9mon, That\u2019s My Pet!"},"content":{"rendered":"<p>If you were a child sometime in the last three decades, you\u2019ve likely had some sort of a connection to the cultural juggernaut that is the <a href=\"https:\/\/www.pokemon.com\/us\/\">Pok\u00e9mon<\/a> franchise. An intellectual property so well known that Microsoft Word has autocorrected my spelling of the word Pok\u00e9mon three times now. My personal connection to the franchise has persisted throughout my life. As a seven-year-old, I scrounged together change to buy a pack of the trading cards at the local 7-11.\u00a0 Later in life, I almost got <a href=\"https:\/\/www.theguardian.com\/technology\/2016\/jul\/10\/pokemon-go-armed-robbers-dead-body\">robbed<\/a> in a park while playing <a href=\"https:\/\/en.wikipedia.org\/wiki\/Pok%C3%A9mon_Go\">Pok\u00e9mon Go<\/a> at 2 AM in 2016 (true story).<\/p>\n<p><!--more--><\/p>\n<figure id=\"attachment_1849\" aria-describedby=\"caption-attachment-1849\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1849 size-medium\" style=\"margin-top: 0.857143rem; margin-bottom: 0.857143rem; margin-left: 1.71429rem;\" src=\"http:\/\/blogs.luc.edu\/ipbytes\/files\/2022\/02\/PXL_20210205_172702425-2-300x205.jpg\" alt=\"\" width=\"300\" height=\"205\" \/><figcaption id=\"caption-attachment-1849\" class=\"wp-caption-text\"><em>Winston (Left) hanging out with Phoebe (right). Photo attributed to Louay Meroueh.<\/em><\/figcaption><\/figure>\n<p>Most recently, I\u2019ve begun to see Instagram ads for products not associated with Nintendo that draw from the vast pool of Pok\u00e9mon nostalgia to push their products. One service in particular, called <a href=\"https:\/\/pika-pika.me\/\">Pika Pika by Arianna,<\/a> caught my eye. It\u2019s a commission-based service that offers to draw your pet and insert them into a Pok\u00e9mon card. The card looks like it could be used in the actual game. The picture of the pet is drawn in the <a href=\"https:\/\/pika-pika.me\/products\/get-your-pet-custom-card\">style of a Pok\u00e9mon<\/a>.\u00a0Typically, on every Pok\u00e9mon card, there is a picture of the Pok\u00e9mon and a list of abilities or moves that it can do.\u00a0 The abilities that are listed on the Pika Pika card are creatively adapted in accordance with your pet\u2019s personality. I have two pets myself, and I\u2019ve thought about using this service on more than one occasion.<\/p>\n<p><!--more--><\/p>\n<p>Being new to the world of intellectual property, I wondered how this didn\u2019t violate Nintendo\u2019s IP rights. Nintendo, as it stands, is no slouch when it comes to <a href=\"https:\/\/www.cbr.com\/most-infamous-nintendo-fan-game-shutdowns\/\">protecting their IP.<\/a> They\u2019ve pursued <a href=\"https:\/\/www.polygon.com\/22545955\/the-pokemon-company-sword-shield-strategy-guide-leak-lawsuit-settlement\">aggressive legal action<\/a> in the past to target <a href=\"https:\/\/www.svg.com\/262035\/the-real-reason-nintendo-sued-this-pokemon-loving-streamer\/\">unauthorized uses<\/a> of their IP. So, I\u2019m surprised that services like this are gaining so much traction.<\/p>\n<figure id=\"attachment_1850\" aria-describedby=\"caption-attachment-1850\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1850\" src=\"http:\/\/blogs.luc.edu\/ipbytes\/files\/2022\/02\/mario-g05feb9912_1920-300x146.jpg\" alt=\"\" width=\"300\" height=\"146\" srcset=\"https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/mario-g05feb9912_1920-300x146.jpg 300w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/mario-g05feb9912_1920-1024x500.jpg 1024w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/mario-g05feb9912_1920-768x375.jpg 768w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/mario-g05feb9912_1920-1536x750.jpg 1536w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/mario-g05feb9912_1920.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-1850\" class=\"wp-caption-text\"><em>Attribution to PixaBay.<\/em><\/figcaption><\/figure>\n<p>Once I took the IP Survey class with <a href=\"https:\/\/www.luc.edu\/law\/faculty\/facultyandadministrationprofiles\/ho-cynthia.shtml\">Professor Ho<\/a>, I began to consider if such works could be protected from copyright litigation. Trademark liability is another potential issue since so much of the iconography from Pok\u00e9mon is used in the creation and promotion of these cards which could cause unknowing parties to assume that this service is associated with Nintendo and Pok\u00e9mon. But that could be its own post entirely.<\/p>\n<p><strong>Copyrights and Pok\u00e9mon <\/strong><\/p>\n<p><a href=\"https:\/\/www.copyright.gov\/what-is-copyright\/\">Copyrights<\/a> protect \u201cworks of authorship\u201d like drawings and videogames that are original (i.e. not copied from another), fixed in some sort of tangible medium of expression (i.e. paper, electronic), and meet a minimum threshold of creativity (this is typically a low bar). With copyright protection comes certain <a href=\"https:\/\/codes.findlaw.com\/us\/title-17-copyrights\/17-usc-sect-106.html\">rights <\/a>. Among these rights is the right to create derivative works.\u00a0 Derivative works use<span style=\"font-size: 1rem;\">\u00a0elements from or elements based on already existing works to create a new work. These can be works such as sequels, adaptations, revisions, etc.<\/span><\/p>\n<figure id=\"attachment_1848\" aria-describedby=\"caption-attachment-1848\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1848 size-medium\" style=\"margin-top: 0.857143rem; margin-bottom: 0.857143rem; margin-left: 1.71429rem;\" src=\"http:\/\/blogs.luc.edu\/ipbytes\/files\/2022\/02\/PXL_20220113_032326265-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/><figcaption id=\"caption-attachment-1848\" class=\"wp-caption-text\"><em>Pandemic-induced boredom sparked a renewed interest in Pok\u00e9mon cards among millennials. Combined with supply chain shortages, cards were selling out immediately causing many stores to limit purchases per customer. Photo attributed to Louay Meroueh.<\/em><\/figcaption><\/figure>\n<p>An example within the Pok\u00e9mon franchise is the <a href=\"https:\/\/www.pokemon.com\/us\/pokemon-tcg\/\">Pok\u00e9mon trading card game<\/a> itself. The trading card game was actually <a href=\"https:\/\/bulbapedia.bulbagarden.net\/wiki\/History_of_Pok%C3%A9mon\">derived from the video game<\/a> in 1996. Further derivatives from the videogame were the <a href=\"https:\/\/www.pokemoncenter.com\/\">manga, the tv show, plushies, candies<\/a>\u2026 too many to list. Nintendo is the copyright holder of the original work, the Pok\u00e9mon videogame, and thus has this <a href=\"https:\/\/codes.findlaw.com\/us\/title-17-copyrights\/17-usc-sect-106.html\">right<\/a> to produce such derivative works. Derivatives of the Pok\u00e9mon videogame have made the franchise the <a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_highest-grossing_media_franchises\">highest-grossing media franchise<\/a> of all time.\u00a0 A cool 109 billion dollars in revenue, beating Mickey Mouse and Star Wars by more than 20 billion dollars.<\/p>\n<p><strong>Fair Use and Unauthorized Derivatives<\/strong><\/p>\n<p>If someone other than Nintendo creates a derivative work from Pok\u00e9mon without the company\u2019s blessing, they could be liable for violating Nintendo\u2019s copyright. However, just because this artist is producing derivative works from Pok\u00e9mon does not make them automatically liable. The author of these derivative pet cards could have what is called a Fair Use defense to protect them from liability. The <a href=\"https:\/\/www.copyright.gov\/fair-use\/more-info.html#:~:text=Fair%20use%20is%20a%20legal,protected%20works%20in%20certain%20circumstances.&amp;text=Nature%20of%20the%20copyrighted%20work,purpose%20of%20encouraging%20creative%20expression.\">Fair Use Doctrine<\/a> helps facilitate free expression and promote creativity that would otherwise be unlawful if not authorized. To have a valid fair use defense, we look at four different factors enumerated in <a href=\"https:\/\/codes.findlaw.com\/us\/title-17-copyrights\/17-usc-sect-107.html\">the statute<\/a> that the courts consider holistically:<\/p>\n<ul>\n<li>the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;<\/li>\n<li>the nature of the copyrighted work;<\/li>\n<li>the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and<\/li>\n<li>the effect of the use upon the potential market for or value of the copyrighted work.<\/li>\n<\/ul>\n<p><strong>What is the Purpose and Character of these Custom Cards?<\/strong><\/p>\n<p>The first factor is the purpose and character of the use. This factor typically takes into account whether the unauthorized use is commercial in nature (i.e. trying to make money) or not for profit. In this case, the artist is charging money in exchange for the service. This alone does not invalidate a fair use defense, but it may weigh against it.\u00a0 Unless, of course, the commercial use is transformative. Whether a work is transformative or not can even impact how all the other factors are considered.<\/p>\n<p><strong>What Makes a Work Transformative?<\/strong><\/p>\n<p>Transformative works add \u201csomething new, with a further purpose or different character, altering the first with new expression, meaning, or message\u201d as defined in <a href=\"https:\/\/supreme.justia.com\/cases\/federal\/us\/510\/569\/\"><em>Campbell v. Acuff-Rose Music, Inc<\/em>.<\/a> Transformative works are considered to be a favorable byproduct of copyright law. The <a href=\"https:\/\/blogs.loc.gov\/copyright\/2020\/09\/promoting-progress-celebrating-the-constitutions-intellectual-property-clause\/#:~:text=In%20article%201%2C%20section%208,Congress%20obliged%2C%20passing%20the%20first\">goal of copyright law<\/a> is to protect authorship and expression with the intention of propagating the sciences and arts. The creation of transformative works is a consistent in this regard because it builds upon existing expressions, but results in the creation of a new expression. Because of this, whether a work is transformative may outweigh other factors that would otherwise negate a fair use defense.<\/p>\n<p><span style=\"font-size: 1rem;\">The artist\u2019s cards are a fresh new take on the Pok\u00e9mon trading card game. Adding caricaturized versions of people\u2019s pets into the existing template of the cards takes the concept of using the pocket monsters to battle or trade and turns it into a medium in which we can memorialize and whimsically admire our beloved pets. This is a departure from the trading card game\u2019s original purpose, by inserting the artist\u2019s new expression, to alter the meaning and message of the original cards. \u00a0For this reason, the artist\u2019s new cards are transformative works, which weighs in favor of fair use.<\/span><\/p>\n<p><strong>How Creative is Pok\u00e9mon? <\/strong><\/p>\n<p>The next factor\/element is the nature of the copyrighted work. If the copyrighted work is highly creative, it typically becomes harder to assert a fair use defense. Works that are highly creative could include things like movies, original music, shows, works of art; essentially works that are not collections of data or facts. Pok\u00e9mon is undoubtedly a highly creative IP. Fans who take issue with recycled gameplay elements might beg to differ &#8211; but that\u2019s another conversation.\u00a0 The unauthorized work still may be able to outweigh that creativity in assessing this factor if the derivative work itself is transformative.<\/p>\n<p><strong>Heart of the Cards or not?<\/strong><\/p>\n<p>The next factor is the amount and substantiality of the copyrighted work used. In this instance, the Pok\u00e9mon card template is copied exactly from the original in the artist\u2019s work. While this may seemingly be damning for the artist, it might not be as bad as it sounds. The Pok\u00e9mon themselves are not copied. In the context of the original cards, the value, function, and overall aesthetic of the card are dependent on the individual Pok\u00e9mon showcased on it. For this reason, the actual Pok\u00e9mon displayed is what is deemed to be the \u2018heart of the work\u2019. With respect to the pet cards, the artist does not use any actual Pok\u00e9mon designed by Nintendo to create its work. It thus avoids using the heart of the original work in creation of the derivative. Using the heart of the work would be tantamount to taking a substantial portion of the original when applying <em>Campbell<\/em>. While not taking the heart of it can work in the artist\u2019s favor, that\u2019s only half the consideration for this factor.\u00a0 The court may still decide that a substantial portion is taken considering the template surrounding the picture was taken.<\/p>\n<p><strong>Affecting Nintendo\u2019s Market Share<\/strong><\/p>\n<p>Finally, we turn to the effect that the artist\u2019s work would have on the market or potential of the original. \u00a0These pet cards are not going to directly replace the original Nintendo game or any of its derivatives. But, what about a potential market?\u00a0 Nintendo has its hands in many merchandising pots. Is the artist\u2019s service a pot that Nintendo has its hand in now?\u00a0 No, but the courts may consider the negative impact on potential markets so long as they are not completely hypothetical. For example, in a case in which an unauthorized <a href=\"https:\/\/www.reuters.com\/legal\/transactional\/seuss-comicmix-close-book-landmark-copyright-dispute-over-star-trek-mashup-2021-10-05\/\">mash up of Star Trek and Dr. Suess<\/a> was at issue, the court cited the potential oversaturation of the market with derivatives if left unchecked.<\/p>\n<figure id=\"attachment_1851\" aria-describedby=\"caption-attachment-1851\" style=\"width: 300px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1851 size-medium\" style=\"margin-top: 0.857143rem; margin-bottom: 0.857143rem; margin-left: 1.71429rem;\" src=\"http:\/\/blogs.luc.edu\/ipbytes\/files\/2022\/02\/chart-g6b6c9e7ca_1920-300x190.jpg\" alt=\"\" width=\"300\" height=\"190\" srcset=\"https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/chart-g6b6c9e7ca_1920-300x190.jpg 300w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/chart-g6b6c9e7ca_1920-1024x649.jpg 1024w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/chart-g6b6c9e7ca_1920-768x487.jpg 768w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/chart-g6b6c9e7ca_1920-1536x974.jpg 1536w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2022\/02\/chart-g6b6c9e7ca_1920.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-1851\" class=\"wp-caption-text\"><em>Attribution to PixaBay.<\/em><\/figcaption><\/figure>\n<p>There is also the possibility that Nintendo would benefit from licensing the Pok\u00e9mon card template to the Pika-Pika artist. An argument can be made that by not having a license, the artist is affecting that potential revenue stream. Ultimately, given the nature of the artist\u2019s service, it is unlikely that her work would negatively impact Nintendo\u2019s bottom line.<\/p>\n<p><strong>A Not So Clear Verdict<\/strong><\/p>\n<p>Taken together, the factors suggest that the artist\u2019s use of Nintendo\u2019s Pok\u00e9mon IP could constitute fair use. The transformative nature of the artist\u2019s work, the avoidance of using actual Pok\u00e9mon in her work, and the lack of any notable market impact on Nintendo\u2019s market share could outweigh that the artist is turning a profit on these works and that Pok\u00e9mon itself is a highly creative IP.\u00a0 Then again, copyright fair use cases are notoriously unpredictable. It\u2019s any party\u2019s game until the court decides on a final verdict. And perhaps I\u2019m biased. I want this to be okay because I might just get a couple of cards made of my pets for myself.<\/p>\n<p><strong>By Louay Meroueh\u00a0<\/strong><br \/>\nCo-Technical Editor for the Loyola Intellectual Property Law Blog \u201cIP Bytes\u201d<br \/>\nDirector of Programming for the Intellectual Property Law Society<br \/>\nTechnical Manager for the Rule of Law Institute at Loyola<br \/>\nCompetitor on the Fall 2021 Negotiation<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1040\" style=\"font-size: 1rem;\" src=\"http:\/\/blogs.luc.edu\/ipbytes\/files\/2021\/02\/Headshot_Square-300x300.jpg\" alt=\"Louay Meroueh\" width=\"229\" height=\"229\" srcset=\"https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2021\/02\/Headshot_Square-300x300.jpg 300w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2021\/02\/Headshot_Square-150x150.jpg 150w, https:\/\/blogs.luc.edu\/ipbytes\/wp-content\/uploads\/2021\/02\/Headshot_Square.jpg 399w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you were a child sometime in the last three decades, you\u2019ve likely had some sort of a connection to the cultural juggernaut that is the Pok\u00e9mon franchise. An intellectual property so well known that Microsoft Word has autocorrected my spelling of the word Pok\u00e9mon three times now. My personal connection to the franchise has persisted throughout my life. As a seven-year-old, I scrounged together &hellip; <a href=\"https:\/\/blogs.luc.edu\/ipbytes\/1847\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Nintendo\u2019s IP: That\u2019s No Pok\u00e9mon, That\u2019s My Pet!<\/span><\/a><\/p>\n","protected":false},"author":25,"featured_media":4041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-1847","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copyrights","category-fun-facts"],"_links":{"self":[{"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/posts\/1847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/comments?post=1847"}],"version-history":[{"count":2,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/posts\/1847\/revisions"}],"predecessor-version":[{"id":4261,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/posts\/1847\/revisions\/4261"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/media\/4041"}],"wp:attachment":[{"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/media?parent=1847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/categories?post=1847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.luc.edu\/ipbytes\/wp-json\/wp\/v2\/tags?post=1847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}